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MARIANA FERNÁNDEZ

Criticism

On sound in the museum // Momus, March 2024

On Pedro Lasch // e-flux Criticism, February 2024

Mexico City Critic's Guide // frieze, February 2024

On Ligia Lewis // frieze, October 2023

On Kate Mosher Hall // Artforum, October 2023

On Erika Verzutti // frieze, July 2023

On Seung-taek Lee // Artforum, April 2023

On Eiko Otake's Mother // frieze, April 2023

On Yvonne Rainer's HELLZAPOPPIN' // X-TRA, January 2023

On Bárbara Wagner and Benjamin de Burca // frieze, September 2022

New York Critic's Guide // frieze, September 2022

Interview with Clarissa Tossin // BOMB, September 2022

On Kazuko Miyamoto // frieze, July 2022

On Martine Syms's The African Desperate // X-TRA, June 2022

On Raphael Montañez Ortiz // frieze, May 2022

On Sankofa Danzafro's Accommodating Lie // The Brooklyn Rail, March 2022

On Bárbara Sánchez Kane's Prêt-à-Patria // Performa Magazine, August 2021

On Sky Hopinka // Hyperallergic, February 2021

Essays

"Towards a Poetics of Multiplicity: Juan Carlos Romero's Experiments in Repetition" // Institute for Studies on Latin American Art (ISLAA) Re: Collection, April 2024

"A Museum for the Afterlife" // X-TRA Vol. 24, Issue 2 (Fall 2022)

"In Collaboration" in Clarissa Tossin: Mojo’q che b’ixan ri ixkanulab’ / Antes de que los Volcanes Canten / Before the Volcanoes Sing, eds. Vic Brooks and Jo Stewart (Troy: Rensselaer Polytechnic Institute, 2022)

"Brown Building" // BOMB Theory + Practice Series, June 2021

"Bubble Murals and Muralist Jokes: Asco’s Skyscraper Skin" // Venti Journal, Vol. 1, Issue 2 (Fall 2020)

Books

Calder's Clouds / Las nubes de Calder, co-edited with Vic Brooks and Jennifer Burris (forthcoming, 2024)

Texts in Whitney Biennial: Even Better Than the Real Thing (Whitney Museum of American Art, New York: 2024)

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